Tugasan Akhir

Pilih Satu Sahaja Soalan Berikut:

1. "POZZO: (suddenly furious.) Have you not done tormenting me with your accursed time! It’s abominable! When! When! One day, is that not enough for you, one day he went dumb, one day I went blind, one day we’ll go deaf, one day we were born, one day we shall die, the same day, the same second, is that not enough for you? (Calmer.) They give birth astride of a grave, the light gleams an instant, then it’s night once more.

"

Berdasarkan petikan di atas, ulas  secara terperinci falsafah eksistensialisme yang dianuti Samuel Beckett.

2. "We wait. We are bored. (He throws up his hand.) No, don't protest, we are bored to death, there's no denying it. Good. A diversion comes along and what do we do? We let it go to waste... In an instant all will vanish and we'll be alone once more, in the midst of nothingness!"

Dalam naskah Godot, semua orang menunggu (termasuk audien) akan sosok yang 'dinamakan' Godot. Siapakah Godot? Siapakah yang tidak menunggu Godot? Mengapa watak tersebut tidak menanti Godot seperti orang lain?

People from Poland are Poles, not Polacks. But what I am is a one hundred percent American, born and raised in the greatest country on earth and proud as hell of it, so don’t ever call me a Polack.

3. Stanley Kowalski dan Harold “Mitch” Mitchell dalam A Streetcar Named Desire sangat berbeza dari segi watak dan perwatakannya. Bincangkan.

4. Persoalan paling menjolok dalam  A Streetcar Named Desire karya Tennessee Williams adalah seks dan hubungannya dengan psikologi manusia. Bincangkan.

"They told me to take a street-car named Desire, and transfer to one called Cemeteries, and ride six blocks and get off at—Elysian Fields!"

5. Menurut hemat anda, nyatakan sekurang-kurangnya lima konflik kemanusiaan dalam A Streetcar Named Desire